Maritime Union supports UK Award-Winning Play About Paul Robeson at Fringe NZ

Paul Robeson is a name that would be known to most trade unionists of the older generation, and to many younger ones well versed in labour and trade union history.

Paul Robe­son is a name that would be known to most trade uni­on­ists of the older gen­er­a­tion, and to many young­er ones well versed in labour and trade uni­on his­tory.

One of the most fam­ous artists and act­iv­ists of the 20th Cen­tury, the Afric­an Amer­ic­an was an inter­na­tion­al super­star whose name has sadly been all but bur­ied from his­tory because of the threat he posed (through his words and music) to polit­ic­al and com­mer­cial elites world­wide.

Paul Robe­son had a spe­cial con­nec­tion with Wel­ling­ton water­side work­ers, and was awar­ded life mem­ber­ship of the Water­side Work­ers Uni­on, now the Mari­time Uni­on of New Zea­l­and, dur­ing his vis­it in 1960.

His life story is to be por­trayed on stage as one of the high­lights of Fringe NZ in an award-win­ning play to be seen in the Thorndon sub­urb of Wel­ling­ton from Feb­ru­ary 20 to March 1.

 

Writ­ten and per­formed by UK-based actor/singer Tayo Aluko, Call Mr Robe­son depicts Paul Robeson’s remark­able life, with live piano accom­pani­ment. It fea­tures many of his fam­ous songs, includ­ing the icon­ic Ol’ Man River, some of his most fam­ous speeches and his defi­ant testi­mony to McCarthy’s House Un-Amer­ic­an Activ­it­ies Com­mit­tee.

Aluko teams up with Wel­ling­ton music­al legend, Juli­an Raphael, renowned Music­al Dir­ect­or of many Wel­ling­ton ensembles, as piano play­er for this pro­duc­tion.

The writer and per­former of the play, Tayo Aluko is based in Liv­er­pool, Eng­land, and he sent out a request for sup­port to New Zeland Trade Uni­ons. Two — The Mari­time Uni­on of New Zea­l­and and the Pub­lic Sec­tor Asso­ci­ation stepped up to the plate and provided some very neces­sary assist­ance for Mr. Aluko’s trip.

Aluko, who has per­formed the play around the UK, USA, Canada, Jamaica and Niger­ia but comes to New Zea­l­and for the first time said, “It is quite hum­bling to real­ise that there are people round the oth­er side of the world from me who like me con­sider Robe­son’s story so import­ant to be told today that they are will­ing to lend a hand in such a gen­er­ous way. It is a test­a­ment to Robe­son’s leg­acy that such inter­na­tion­al solid­ar­ity can be demon­strated to such good effect. I look for­ward to meet­ing MUNZ and PSA mem­bers and oth­er trade uni­on­ists in the com­ing weeks.”

Robeson in New Zealand

Paul Robe­son trav­elled to New Zea­l­and in 1960 and stayed here for two weeks and four days. Dur­ing this time he vis­ited dock­side work­ers in Wel­ling­ton and spoke out bravely in defence of M?ori and work­ing people.

Robe­son’s vis­it to Wel­ling­ton, the fiery speeches, and the upflift­ing songs that were exchanged between the great man and the strik­ing dock­side work­ers are still remembered vividly by former dock­side work­ers in Wel­ling­ton.

He addressed the Water­side Spe­cial Stop­work Meet­ing and accep­ted life-long mem­ber­ship of the Mari­time Uni­on. This was to be his last ever con­cert tour.

Reviews and Awards

Call Mr Robe­son received a stand­ing ova­tion at New York’s Carne­gie Hall in Feb­ru­ary 2012.

The UK Guardian’s Michael Bil­ling­ton called it ‘First Rate’.

BBC Radio 4’s Loose Ends presenter Clive Ander­son described it as one of the most mem­or­able plays he had seen in 2013.

From an inter­na­tion­al field, Call Mr. Robe­son was awar­ded Best Music­al Per­form­ance at the Atlantic Fringe in Hal­i­fax in Nova Sco­tia, Canada in August 2013. It also won Best Solo Show at the Strat­ford-upon-Avon Fringe in 2013 and the Argus Angel Award for Artist­ic Excel­lence and the Best Male Per­former Award at the Brighton Fringe in 2008.

What some crit­ics said:

“First-rate. A fine job” (4 stars) The Guard­i­an

“Simply told but immensely power­ful.” (4 stars) The Scots­man

“A thrill­ing, mov­ing and mar­vel­lously enter­tain­ing music­al drama. … totally soul­ful and con­vin­cing” Latest 7 Magazine

“Aluko is a force of nature. Nev­er less than utterly believ­able” (5 stars) Brit­ish Theatre Guide

“A stun­ning piece of music­al theatre” (5 stars) Fringe Review

“A must-see exper­i­ence. A treas­ure of a show. TOP PICK!” D C Theat­er Scene

Listings Information

What:

Call Mr. Robe­son. A Life, With Songs.

Writ­ten and per­formed by Tayo Aluko, with Juli­an Raphael, Piano.

Dir­ec­ted by Olusola Oye­leye, Designed by Phil New­man

When:

Fri­day 20 Feb, 8.30pm
Sat­urday 21 Feb, 8.30pm
Sunday 22 Feb, 4.30pm
Thursday 26 Feb, 8.30pm
Fri­day 27 Feb, 8.30pm
Sat­urday 28 Feb, 8.30pm
Sunday 1 Mar, 4.30pm

Show length: 80 minutes (no inter­val)

Where:

The Moor­ings, 31 Glen­ber­vie Ter­race, Thorndon 6011, Wel­ling­ton

Age Recom­mend­a­tion: 12+

Tickets

Avail­able at Fringe Office and Event­finda

 

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2 Responses

  1. In 1976 and 1977, as a newly min­ted his­tory gradu­ate of the Uni­ver­sity of Can­ter­bury, I was asked through a fac­ulty con­tact if I would con­duct some primary research on Paul Robe­son’s vis­it to New Zea­l­and and Aus­tralia in 1960. I was for­tu­nate to be able to inter­view many people who had met Paul Robe­son dur­ing his time here, includ­ing Janetta McStay, his piano accom­pan­ist. My strongest memory, how­ever, is talk­ing with Jack Locke of the NZ Com­mun­ist Party about his exper­i­ence of meet­ing with the vis­it­ing sing­er, intel­lec­tu­al and act­iv­ist. We sat in Jack­’s small and rather untidy Christ­ch­urch study, listen­ing to the 78 record­ing of Ol’ Man River that he had been giv­en by the great man him­self, and talk­ing about the impact Paul Robe­son had made in his addresses to New Zea­l­and work­ers and uni­on­ists. Great to see his con­tri­bu­tion being dis­cussed again in New Zea­l­and.

  2. As a 15 year old I met and chat­ted with Paul Robe­son in Lon­don in 1949,and as a res­ult of that and see­ing the show here in Lon­don in Octo­ber Tayo Aluko and I became friends. Paul has been in my life from birth and now, at 81, a Jamaic­an friend has asked me to sing ‘Old Man River ’ at an event she is organ­iz­ing next month and she reck­ons it will be awe­some! Would­n’t have had the bottle to do it 4 Months ago and could nev­er have sung in pub­lic so I hope she’s right! But what the heck? — I’m ready to give it a go and actu­ally look­ing for­ward to it!

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The Mari­time Uni­on of New Zea­l­and was formed in 2002 when the New Zea­l­and Water­front Work­ers’ Uni­on and the New Zea­l­and Sea­farers’ Uni­on joined togeth­er. We rep­res­ent water­front work­ers, sea­farers and related work­ers in New Zea­l­and.

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